There are barely two months left before the American election is stolen. The only way for the people to keep the republic from descending into fascism is a mass general strike. And don't bloody wait. Do it now. There's no more time to sit on the sidelines. You have to do it, and hold it, until they crack, and impeach the fucker before the election. Not after.

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8/31 '20
 

Fred Hampton "radicalized" me (as much as one can look at me, my life, my beliefs and my actions and consider me "radical")

(which is to say, "not at all") 

My family has been in the City of Chicago since before the Fire. And in my early 30s, I spent a lot of time at Harold Washington Library and the Newberry Library and the Cultural Center, looking at exhibits, listening to lectures, watching documentaries.

Of course, you learn the bare bones. The condensed, tourism-friendly, chamber of commerce endorsed versions. You hear the majority agenda assessment. And usually there is one voice, urging you to consider the deeper story, the more important aspects of the man's life or beliefs.

But from there, I learned about tbe radical mutual aid movements. I learned who the Black Panthers really were and the respect they deserved. I engaged with the story of the MOVE bombing. I had read the Autobiography of Malcolm X more than a decade before, but Fred Hampton's Chicago brought me to a better curiosity about the true progressives--black men and women, Latine men and women, queer and trans men and women--in America. 

I'm a middle-aged white lady. I vote for the most progressive person offered me. In the primaries, I donate to and work for the most progressive option. Then I make my regular phone calls and mail my regular letters to my vaguely conscientious and barely moderately liberal legislators and govermors, telling them I want more. I show up when I can and shout the response to the call.

I know the radical ideas are the ones we need, are the ones that might actually save us. I struggle with whether I have any power to make those ideas catch hold. I don't believe that I do. 


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8/30 '20
 

Spouse always wants to go walk for miles along the Lake in the middle of the day when it's hot and crowded. And he always remarks that I seem like I don't want to be there. And I don't. It's hot. And it's crawling with strangers who, for all I know, are eating in restaurants, going to bars, using the gym and recreational shopping in stores. I don't want to be near anyone like that.

Not even in the park.

This makes me think it will be years before I'm really comfortable around strangers at all. And possibly never before I can do crowds again, but I was headed there anyway.

I saw recently a CityLab (I think) blurb, showing how some strategic grocery stores and small commercial could make suburbs actually liveable. I can't leave the city because I do not ever ever ever want to have to drive somewhere if I need milk for my coffee or want to grab a few things at the drugstore. Plunk a grocery down at the top of every cul de sac and a book store or hair salon and I might consider it.

That's the other thing I am increasingly less comfortable with now that I never do it: drive. I drove a 12 mile round trip to buy my sewing machine just before Christmas. And I drove an 8 mile round trip to my office in April. 

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8/30 '20
 

During bad times, you think of better times.


music: Led Zeppelin - "Ten Years Gone"

mood: Chicken Lounge waitress/bartender, circa 1996

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8/29 '20 3 Comments
Nice! That gave me a little happy flashback.
Remember when I served Ben because he had a full beard at 17? Oops.
LOL! Indeed! When I first went in with him, I introduced him to PH as 'my big brother' (or maybe I fully lied and called him 'my older brother' ? Been too long to recall). He never had a problem getting served there after that! :P
 

Plowed through some very mundane tasks on the to-do list. Including the first step (transferring the orders from one hospital system to the other) for some tests my doctor ordered months ago. Getting the parts ordered to cure my bicycle of winter riding and summer neglect. Prepping the sewing room for an upgrade.

It all felt very normal. I even ran across the street to the wine shop run by the woman who went to the same college as my sister & my husband, albeit 10 years after.

Had Indian delivery for dinner. Gonna have a cocktail and some video games. 

It all feels so normal. 

Why does that feel so dangerous?

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8/28 '20
 

On our turn around the park (it helps, but I whine, especially when it's hot like now and when it gets crowded), Spouse asked what I'd do in particular, if I had a free pass magic bubble "no-one gets sick or dies" leave to do anything.

And I couldn't really pick something. There's no single thing. And then I said I'd take the train to my parents and go to Dad's favorite restaurant for dinner. Then I started crying.

Speaking of no-one gets sick or dies, I'm having a hard time not being angry at people I know for their choices right now. I know it's complicated. And I'm not arguing or shaming people or even writing them off. I know it's complicated. But I am angry with the choices people I know are making. I know it's going to change relationships over time.

The most basic truth I believe in is that the most vulnerable person in every situation is owed the highest duty of care from everyone else in the situation. I know that is nothing something my society teaches, practices nor rewards. Particularly not when the most vulnerable person is a stranger or can't easily be identified.

Which brings me to my quote of the day:

Yea I’m dumb, and no politician heroes, but @EdMarkey saying maybe it’s time your country did something for you is, besides being a brutal burn, the exact perfect message for this moment and so obvious I can’t believe no one has said it before now.

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8/27 '20
 

Every day I make some art. Sometimes I hate it, or just don't care about it. Sometimes it's really good.  I find it somewhat disturbing how much I get out of other people liking my art. And also disturbing that I find it disturbing. Why shouldn't I feel good when my efforts are validated by others? We are social animals; acceptance by the tribe is an essential brain nutrient.

I really like acting. I haven't been doing it since I moved to Toronto. But I am reminded because acting on stage gives that kind of instant acceptance/validation. I've done a little work on camera but since I honestly can't stand to see video of myself (or hear recordings of my voice) it doesn't mean much to the wee little narcissist in me. If I was to take up acting again I'd have to find those few shows where the director isn't too particular about having every line delivered every time with the exact same words.

Choir is really nice but like any kind of live performance, extremely not recommended until there's a vaccine for the pandemic. 

I'm specifically not freaking out about how it's basically September.

I guess that's it for now.

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8/27 '20 6 Comments
I felt similarly when I started podcasting. I got sick of the best I could hope for, as a playwright, being a staged reading. The kind of plays I could write and get read were really limited. With audio drama, I can do a lot more, but I can’t hear the audience.
Real question: what is the process by which the three of you connect the drive to produce art that is satisfying to you and pleasing to others to acceptance/validation? And what/who is it you feel is accepted or validated?

I'm just sitting here trying to dig into why I enjoy the art and craft of storytelling, either (or both) as a writer and a performer. I'm not tracking whatever connection is happening for you between ... okay, I don't even know how to articulate it, because I don't think I understand it. Ugh.

So, you feel ... guilty? or? when someone enjoying your art makes you happy? Or guilty that you feel guilty? And then annoyed for feeling either way? There seem to be a lot of loops back and forth, and they don't seem inherently connected to me. Help!

I DO understand how medium can be everything. Live storytelling and audio-only storytelling are both really good, but video storytelling completely loses me. And I definitely think it's an audience response awareness issue. If it's live, I'm in the audience, I can see the teller the whole time, hear everything; it's very immersive. And if it's audio-only, I can be completely sound-focused, so again I'm an immersed listener, able to perceive all of the available sensory input from both teller and audience the whole time. Video on the other hand, is a lot of cutting back and forth, peekaboo style. Sometimes you see the teller, sometimes the audience, sometimes you can hear one or the other better. And it's distracting and "flattening" for me. So I end up feeling bored and disconnected. So it always amazes me when people watch video of me doing storytelling and like it. Not because I don't like how I look or sound (it's fine; it's me), but because they're able to process the art in a way I can't.

Interestingly, I *don't* feel that way about cinematic experiences. I LOVE watching movies (and TV, etc.), but that's a very highly planned and orchestrated and edited kind of storytelling. I can not only enjoy the end product but simultaneously nerd out on the all of the craft employed to create it.

Anyway, rambling now.

Thank you for the food for thought.
>what is the process by which the three of you connect the drive to produce art that is satisfying to you and pleasing to others to acceptance/validation? And what/who is it you feel is accepted or validated?
I was about to smoosh into the couch with a big glass of wine, my knitting, and my tablet, to watch Logan Lucky on Amazon, because it's a dumb comedy with hot people in it and that's pretty much what I need right now. Then I thought, "write your own dumb comedy with hot people in it," and now I'm at the kitchen table with my laptop. What's the drive? Some of it is "to solve the puzzle."

I have a character who wants to do X, but comes up against Y, and in order to surmount obstacle Y and get to X, she has to do Z. I have a puzzle I need to solve. I have to solve that puzzle with the rules of a particular craft. It's not a painting, it's not a pen, it's a drama, and that's how I'm going to solve it, just like how you use a corkscrew to open wine or chopsticks to eat sushi.

One of the dearest pictures in my phone is something that won't make any sense to anyone but me. It's the audience, viewed from the back, waiting to watch the play I had showcased at the end of my MFA experience (rant redacted, but available upon request). You can't tell who anyone in the picture is except Jill (white spiky hair sticking up).

The feeling that was important to me in that moment is, "I'm about to get confirmation that my theory about human behavior is correct."

The play had a lot of overlapping dialogue in it. If my theory was correct, the overlapping dialogue would come out like a chaotic sound collage, punctuated by moments of meaning, aurally showing the protagonist's dilemma (chaos) but a situation worth saving (meaningful punctuations).
I got a whole steaming pile of "this will never work and it's not clear enough, therefore it's not worth rehearsing" from various academic sources (along with "your work hasn't merited production," rant redacted). If everyone else's theory was correct, the overlapping dialogue was garbage that didn't move the plot forward.
My advisor didn't want to do a Q&A after the show. I presented him with the idea that I wanted to ask the audience three questions, and that was it. The first question was, "what did the overlapping dialogue do for or against your experience?"
This little tiny hand reaches out of the darkness into the light.
My advisor shaded his eyes and pointed to the hand.

Shelle's son, Archer, who was, like, I don't know, 12-14 at the time, started to talk. My advisor asked him to speak up.
Archer leaned out into the light, so it was now obvious to my advisor and everyone else, that this was *a * *kid* (and fuck, a university is going to let a kid speak, if no one else, because what if he's a potential full-tuition applicant?) and Archer said, "I thought it created a fullness- a fulfilling sense of chaos." And he sat back into the darkness.

I felt SAVED.

My attempt to solve a puzzle was validated as correct.

My advisor held his frigging tongue after that.

An audience is like the wall that sound bounces off of. It's the wall a vine climbs. It's the mirror that reflects light and the prism that breaks down colors. It's what gives work structure. It's where a sound finds resonance. Artists are trying to solve the puzzles of human experience and audiences provide confirmation of our experiments. if I draw a bunch of Xs on a piece of paper and post it here and say, "does this look like a horse?" and people say, "yes," then maybe I've figured something out.

If they like it too, awesome.
That being said:
There is a lot to the solo experience of solving a puzzle without an audience. Before you're ready for others, the problem solving on your own often has its own rewards.

The guilt thing: Okay. Some of us, WASPs especially, are coached to not be braggarts and to accept praise modestly. So, if someone says, "wow, this work is good," you sort of feel like you have to say, "thanks, this is what I did when I was supposed to be making money, as God and the US of A intended." or, "I enjoyed making this, therefore it is masturbatory."

We need to learn to just say thank you, or I'm glad this meant something to you.

> I find it somewhat disturbing how much I get out of other people liking my art. And also disturbing that I find it disturbing.

Your art is not you. It is its own thing. Go home and make more.
A lot of the above is what I'd write if I had an easier time of putting the muddle in my head into works lately. But, yes, make some damn art. And it's okay if to want, or even need, an audience, to make you feel that your creation process is complete. This last part is hard for me because a lot of my art is embodied "complete" in a physical form. But if no one sees it, is it really art? Or just wanking. And why is wanking bad? And around we go again.
>I find it somewhat disturbing how much I get out of other people liking my art. And also disturbing that I find it disturbing.

So very much this.
 

Today in let them eat cake, I made wallpaper choices. I am happy with my wallpaper choices. Now I need to buy some paint and hire a crew to install it.

I also talked with a friend who was mad at himself for engaging with right-wing nutjobs arguing "good" civil protesting and "bad" civil unrest. I repeat myself here:

The thing is: folks don't go to a protest with the desire to loot. You don't think "hey! A protest! Great, I can steal some Ferragamos!" So the conversation about looting is irrelevant to the meaning, purpose and morality of protest.

It becomes relevant to the conversation about controlling protest, but you have to start with the question of whether it is a legitimate function of democratic government to control protest at all before you can even assess which means of control are least likely to cause looting or violence.

Protest, and the chaos that can result from crowds, are a normal human response to violence and oppression. We got state violence in spades around here.

Otherwise, I don't feel any better, but for now I don't feel worse.

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8/26 '20
 

I would really like a sandwich. One of those overly crafted fancy sandwiches with a lot of specialty ingredients. Excellent bread. Expensive cheese. Sprouts. 

I haven't had a good sandwich in probably a year. Since Dummy #1 and I went to Jerry's. Or possibly the last time I was in the Loop at the right time to stop at Pastoral. It's a tiny thing that's making me sad this week while I'm still on my Dear God I Want Life Back kick.

Of course, the flip side of that is how insurmountable simple tasks feel. I've completely forgotten how to do things without the CTA (I have been running between the two condos on my bike for that business, but that's technically walking distance and requires me to carry only keys) and driving? Just.No. It isn't only that the car is 25 years old and starting to show it (the A/C stopped working and now we're not sure whether the windshield wipers do)--it's also mainly I hate driving.  After slightly more than 30 years of hating to drive. I really hate to drive. 

And, of course, the anxiety of being out with strangers. This is partly reasonable (will you keep an appropriate distance? will you wear a mask?) and partly completely unreasonable (are you a McClosky? Are you going to start spouting hate?) and partly banal (I'm out of practice).

So. I stay home. We walk in the park. I do Zoom cocktail hours. Sometimes my sister sits in my yard with me. Spouse does the grocery runs. Dummy #1 runs errands for me and for Dummy #2 sometimes.  In between, I struggle to get work done, sew more cloth masks, do the odd household chore.

In a shockingly unfortunate time, I could be more fortunate only if I were a tech billionaire.

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8/25 '20
 

The Big Picture

Okay, so I won't bore you with all the details, but one part of my plan to take over the world is through selling t-shirts on Amazon.

There's no money in this. Not really.

I still want to do it.

When you start out, you can only have a maximum of 10 designs at a time. You can swap them out, but no more than ten at once.

I have a TON of ideas that I would like to make, but there's a catch. You only get more 'slots' once you've sold something like 1 or more of each of those initial 10 designs.

My Idea

As far as I know, there's no rule against selling those initial designs at your cost. I'm okay not making any money on those.

So I thought I would offer this up to my friends and family: I'll design a shirt based on your specification, upload the design, and sell it to you and my cost (Amazon's 'base' price). The benefit to me is moving past that initial stage more quickly. The benefit to you is a t-shirt that you want at about as low a rate as you can get (I think it's something like $13.)

How You Take Part

Just comment below (or email me) with your idea and I'll get to work.

Guidelines:

  1. Can't use licensed stuff. If I draw Mickey Mouse, Disney will sue me into oblivion.
  2. Can't be foul (blatant bad language or graphic violence is not what I'm looking to do). Comic book violence or @&*#$! works as bad language.
  3. Please don't suggest stuff if you're not interested in buying a single shirt (or more) at the cheapest rate I can give you. It will just eat up my time, and you're not going to benefit from it anyway.

Anyone interested?

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8/25 '20 16 Comments
I'm interested but I have no clue on a design.
Rog would most likely want to help, too.
We should chat - perhaps on Monday?
THAT'S NOT A DRAGON.

Edited: Oh! There was a whole post there I didn't see! Lemme give it some thought...
Absolutely!

Out of curiosity - what dragon did you mean?
Oh, I just meant that it was dragon month and the image had no dragon. My backhanded way of encouraging your dragon project.
Ahhh! Thank you! I haven't forgotten. I'm just being Captain ADHD. I _will_ get back to it though because I want to use them for another side project after I finish them all.

(But srsly - thanks for the poke.)
Don’t use Amazon! TeePublic is much better, I promise you!
TeePublic’s prices seem steep. Tell your friends not to pay full price. You’re not trying to make a living here, you’re trying to get your art out into the world and visible, right? Your goal is more sales, not more money. Cripes, a family member of a FB friend that I barely know bought 5 of Ted’s t-shirts in one swoop when they were on sale.
Get on the TeePublic text message list for designers. I think there’s a designer forum, too. They let you know before TeePublic has a sale. Tell your friends to get on the mailing list so they know when a sale is coming up. Take your best art and re-mix it for holidays: back to school, Halloween, Christmas, Festivus, whatever. But for fuck’s sake, don’t let Bezos have a cent off of your content.
I already have a (large) list of ideas forming. Many of them are for Halloween since that's the next big holiday.
Think about what you wear when you want to make a statement, lately. For example, I have a shirt that I got from TeePublic that’s an orange, black and white design of a typewriter with a woman’s hands on the keyboard. It’s really pretty. I wear it when I have to deal with people that want to impress without trying too hard.

Don’t underestimate the coffee mug market, and because of the way TeePublic lays them out, you’ll want to make a separate design for that.
I will definitely be doing things in addition to tees, but I have to get to step 1 first. I'm all about the MVP. You know me. :P
This won't be an 'either / or' thing for me. Most of these sites don't require exclusivity, so I'll be uploading my 'real' designs to all of them. I just came up with this as a means to get past A's requirements at the lower levels.
Contacted at dragonbones.net.
Got it! I'll reply via email to clarify things, but then I'll get on it!